Monday, 31 March 2014

Separation and Rim lighting examples - Studio

Separation Lighting 
Accent and/or separation lights become more important with corrective lighting. Because we use darkness/shadow to our clients' benefit, we must use small, controllable light sources to highlight only the areas we want the viewer to see. We often light a three-quarter or full-length portrait as a head-and-shoulders portrait (with our main light and reflector for fill), then use accent/separation lights to selectively illuminate the rest of the body. This gives us, as photographers, complete control over the outcome of the final image—and gives our clients a final portrait their egos can handle.
(source:http://www.sekonic.com/whatisyourspecialty/photographer/articles/the-separation-light.aspx)




Separation and rim lighting




Rim lighting
Rim lighting is the same as backlighting, where the subject is lighted from behind causing the facial features of the profile to be highlighted.  
(source: http://en.mimi.hu/photography/rim_lighting.html)




Sunday, 30 March 2014

Assignment 6 - Field trip

LAKE GEORGE AND GUNDAROO
Date of excursion: Tuesday 25th March 2014

You are free to photograph what you like at each location, we do want you to have fun, but you must add to your blog your best 2 images from Lake George and the best 4 from Gundaroo.

Lake George
I call these photographs the 'Green Series" because they all have green in them and it seems to be the stand out colour in all photographs.

Canon 600D
Canon EF 75-300mm f/4-5.6
1/400 @ f/7.1 ISO 400

Canon 600D
Canon EF 18-55mm f3.5-5.6
f/7.1 @ 1/160 ISO 400


Gundaroo
I also call these photographs the "Green series". 

Canon 600D
Canon EF 75-300mm f/4-5.6
1/320 @ f/7.1 ISO 400

Canon 600D
Canon EF 18-55mm f3.5-5.6
f/7.1 @ 1/250 ISO 100

Canon 600D
Canon EF 18-55mm f3.5-5.6
f/7.1 @ 1/125 ISO 100

Canon 600D
Canon EF 18-55mm f3.5-5.6
f/7.1 @ 1/640 ISO 800


Sunday, 23 March 2014

Tuesday, 18 March 2014

Location Folio Research

Just to start my research i thought i would just have some examples of portraits by some different Photographers -

Deborah bain

http://naturallightportraits.com/Artist.asp?ArtistID=40507&Akey=V4773G4Y

Various photographers



http://www.naturalfamilyphotography.com/melbourne-family-portraits



Sunday, 16 March 2014

Location - Exposure control

Task 1 - White subject

Normal Exposure

Over exposure - 2 stops

Under exposure - 2 stops

Which exposure renders the subject closet to white? The Over exposure photo renders closets to white. 

Task 2 - Black subject

Normal Exposure

Under exposure - 2 stops

over exposure - 2 stops

Task 3 - 3 different scenes
High Luminance scene

Normal exposure


Over exposure +1

Under exposure -2

My choice
Normal exposure

Under exposure -2

Over exposure +2




Studio - Lighting ratios.

In portrait photography, lighting ratios are comparisons of the main light in a photo to the lesser light which fills in the shadows.

Considering lighting ratios is important for portrait photography. The four most common lighting ratios for portrait photography are 1:1, 2:1, 3:1, and 4:1.
The lower ratios, 1:1 and 2:1 can be used for most photography needs. These ratios make the entire photograph easier to see, so they are often used for family photographs or headshots of small children and women. This is called flat lighting. 
For portraits of women, 2:1 is the ratio that is commonly used. 
As with the ratio 3:1, 4:1 works well for pictures of men. This ratio gives a more “dramatic” impression to a portrait. 

Sunday, 9 March 2014

Assignment 3 - Capturing motion (location)

Panning

Blurring motion

Freezing motion
Panning

Blurring motion

Freezing motion

Wednesday, 5 March 2014

Alter Ego Assignment - Studio

Georgina is sitting on a chair in the middle of two black side screens. Camera is in front of her about 1 metre in front of her.  White board on her lap to bring light up on her chin. Lighting is hollywood but a touch to the left of the camera.

Depth of field 2 extra pictures - location

f/5.6 1/200

f/36 1/8

Sunday, 2 March 2014

Assignment 2 - Depth of Field (location)

f/29 1/5

f/4.5 1/40

f/5.6 1/25

f/29 1/4

f/4.5 1/60

f/36 1/4

f/5 1/30

f/4.5 1/30

f/29 1/6

f/29 1/6